This glues and tames my mixes in a way that eases my mind. I am a budding mixer and need all the help I can get. I compared it carefully for several days, against: Logic's compressors, FabFilter C-2, Vertigo VS, DC1A3, RoughRider, NI Solid Bus, and others. もっと早く導入すれば良かった!. You must have JavaScript enabled in your browser to utilize the functionality of this website. I cannot tell the difference sonically between an 500 series SSL G Series Bus Compressor and the UAD plugin version. All rights reserved. SSL 4000 G Bus Compressor系のものは数も多く色々試すことになるのですが結局UADの物が一番簡単迅速に求めるサウンドになると思います。デモ使用する度に迷っていましたが、やっとUAD版の素晴らしさが解りました。 I don’t have any idea why this sounds better than other SSL G Bus plugs. The G bus compressor is superb. Receive news and offers from our other brands? It will never leave my mixbus. The SSL G blows the competition away. G bus sounds subtle yet punchy, love it on the mix bus. Buyers' guides to all the best music gear, Arturia responds to Behringer’s KeyStep MIDI keyboard lookalike Swing: “This is not fair competition”, The 12 best audio interfaces 2020: top audio interfaces for music-making and production, Free music samples: download loops, hits and multis from SampleRadar, The best DAWs 2020: the best digital audio workstations for PC and Mac, Bidding starts at $1 million, as Eric Clapton's 1954 Fender Stratocaster ”Slowhand” is up for auction. We’re still big fans of the also-included Legacy model (and for a low-DSP version it still stands up to its purpose), but the new remodelled version is a revelation in terms of accuracy and precision. SSL 4000 is a good compressor for -master bus- and much more. Many have nailed the look of it, but few have nailed the sound. Receive mail from us on behalf of our trusted partners or sponsors? One of the most famous bus compressors of all time, the 4000 G has arguably been put across the stereo bus of more records than any other. If your mix is bass-heavy and you can hear high-frequency ducking when kick and bass hit, you may need to raise the SC Filter to reduce the impact of the low frequencies on gain reduction. 3758b9b5-045c-4b7d-b020-80f9b068d990 This is super smooth. This is a compressor primarily designed for transparent smoothing. The Attack control is stepped (choose from 0.1, 0.3, 1, 3, 10, and 30 milliseconds), as is Release (0.1, 0.3, 0.6, 1.2 seconds, plus a program-dependent Auto release setting). $299.00. As you’d expect, operating the SSL 4000 G is intuitive from the get go, and there are a host of presets from nine producers and engineers to use as starting points. Visit our corporate site. It’s also possible that this model has been subject to more clones—both hardware […] The SSL G Bus Compressor is the best bus compressor plugin available, hands down. Really nice on a mix bus if you need to focus your mix, make it punchier and tighter. Ratio is switchable between 2, 4 or 10:1, and sits next to a large In/Out ‘bypass’ button. I compared it carefully for several days, against: Logic's compressors, FabFilter C-2, Vertigo VS, DC1A3, RoughRider, NI Solid Bus, and others. JavaScript seems to be disabled in your browser. The Best Bus Compressor tool available on the market. There was a problem. The addition of the sidechain is clearly the stamp that sold me. The original hardware version didn’t have this, but radio mixes in the 80s were always very bright and bass-light! Purchased on a great sale price , tried several clones but this is the one get bar none Lowering the threshold kicks the compression in, while the classic bus setting of slow attack, fast release, and a ratio of 2:1 or 4:1, gives a good transparent starting point. UA flexing muscles with this one. While it shines and sounds great without any additives at all. It’s just what the original hardware did, and if anything, this new virtual version is an improvement - we found it helpful to roll off low frequencies from the input sidechain signal to eliminate high-frequency modulation or pumping; and the new Mix control is especially welcome, particularly on drum buses, allowing you to dial in more heavy-handed settings than you usually would, before mixing in the uncompressed signal to temper the effect and maintain ‘openness’. I had AM/Ex cancel my order and reordered it. Dialling it in couldn’t be easier: turn Threshold (+15 to -15dB) anticlockwise to set compression, then use Gain Make-up (0-15dB) to bring the overall level back up again. Always stands on my Bus drums and at the end of all tracks to glue. CLA EchoSphere: Waves’ free Black Friday VST plugin is a slap delay and plate reverb from Chris Lord-Alge.

ssl 4000 g bus compressor

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